A Glitch in the Script: Fantasy, Realism and the Australian Imagination

The Glitch is a six-part television series first aired on the Australian public broadcast network, the ABC, in July 2015. My interest is in ways that the series reflects certain aspects of Australian culture and history and, in particular, how inclusive the series has been in representing Indigenous Australian ways of seeing this history. The Glitch — set in a fictional Australian outback town where a number of residents who have lived and died there return from the dead — holds great potential for critiquing the cultural and perceptual frameworks that have created what popular culture often describes as ‘quintessential Australianness.’ Narrative genres that have a particular relevance in framing Australian identity within a postcolonial context are also important to my examination. They provide a way to explore the aesthetics of identity in the play between reality and unreality where an Australian Gothic sense of the uncanny is contrasted with the subversive way Magic Realism places the extraordinary within the same realm of the possible as the ordinary everyday event. This aligns with contemporary analyses of Australian Indigenous narratives where Indigenous perceptions of reality question a Western hegemonic view of what is magic and what is real and highlights the cultural origins of both. It is the mix of the mysterious and the mundane and the play between reality and fantasy that has enormous potential in The Glitch. However, as I also discovered, maintaining the magic and the real in such a delicate and continuous balance is no easy task

In Your Dreams: Travelling the road to Mandalay

Since 2007, I have been travelling regularly to the Thai /Burma border to run creative writing workshops with Burmese women refugees. The stories that eventuate from the workshops are published and distributed internationally. I have never been inside Burma so my knowledge of the country has come to me via other peoples’ stories. Recent changes that have taken place in Burma give glimpses of hope for a democratic future and yet I remain on the edges of this country I feel I know intimately.   In his memoir From the Land of Green Ghosts (2004) Pascal Khoo Thwe writes about the layers of distinctly different cultures that make up the country of Burma. After attending university in Mandalay Pascal was forced to flee after the arrest of his activist girlfriend. He joined the guerilla forces on the border and then through a chance encounter with academic, John Casey, finally made his way across the border into Thailand then on to England. This extraordinary story is more common than many people realize. When one considers the more than half a million refugees who have fled across the Burmese borders into neighboring Thailand over the last decade it is easy to see the tremendous ramifications that the political situation has had on the people of Burma.   This paper is a meditation on the Burma of my imagination and the many permutations of country, culture and landscape that I have come to know through the people of Burma and their relationship to the lands of their birth. As a facilitator of other people’s stories I reflect on the ways in which the personal stories of lives lived inside Burma and on the borders of the country as refugees have helped me understand the situation there. The paper also explores the way narrative and advocacy, storytelling and capacity building have played a part in the democratic changes that are now taking place after more than sixty years of civil war inside Burma

What is Happening is Real

Australia’s history parallels the movement of modernity towards neo-colonial enterprises encapsulated in globalisation, while Australian identity lends itself to the fragmentation inherent in the conflicting discourses of national identification that make up its history. The psychology derived from this is startlingly apparent in our more recent history as we battle to come to terms with new and insidious incursions into Indigenous human rights. The bicentenary year gave Australia an opportunity to highlight the “coming of age” that emerged from being mature enough to admit that white Australia has a black history. A tension between a utopian notion held by some that the celebrations marked a time when Australia had reached a coming of age and others who were ambivalent about the nature of the celebrations has led to a reevaluation of Australian ideas of nationhood. What is Happening is Real is an exploration of the tensions that gave rise to a continuing engagement in the ongoing challenges that 1988 presented to all Australians

A Glitch in the Script: Fantasy, Realism and the Australian Imagination

The Glitch is a six-part television series first aired on the Australian public broadcast network, the ABC, in July 2015. My interest is in ways that the series reflects certain aspects of Australian culture and history and, in particular, how inclusive the series has been in representing Indigenous Australian ways of seeing this history. The Glitch — set in a fictional Australian outback town where a number of residents who have lived and died there return from the dead — holds great potential for critiquing the cultural and perceptual frameworks that have created what popular culture often describes as ‘quintessential Australianness.’ Narrative genres that have a particular relevance in framing Australian identity within a postcolonial context are also important to my examination. They provide a way to explore the aesthetics of identity in the play between reality and unreality where an Australian Gothic sense of the uncanny is contrasted with the subversive way Magic Realism places the extraordinary within the same realm of the possible as the ordinary everyday event. This aligns with contemporary analyses of Australian Indigenous narratives where Indigenous perceptions of reality question a Western hegemonic view of what is magic and what is real and highlights the cultural origins of both. It is the mix of the mysterious and the mundane and the play between reality and fantasy that has enormous potential in The Glitch. However, as I also discovered, maintaining the magic and the real in such a delicate and continuous balance is no easy task

In Your Dreams: Travelling the road to Mandalay

Since 2007, I have been travelling regularly to the Thai /Burma border to run creative writing workshops with Burmese women refugees. The stories that eventuate from the workshops are published and distributed internationally. I have never been inside Burma so my knowledge of the country has come to me via other peoples’ stories. Recent changes that have taken place in Burma give glimpses of hope for a democratic future and yet I remain on the edges of this country I feel I know intimately.   In his memoir From the Land of Green Ghosts (2004) Pascal Khoo Thwe writes about the layers of distinctly different cultures that make up the country of Burma. After attending university in Mandalay Pascal was forced to flee after the arrest of his activist girlfriend. He joined the guerilla forces on the border and then through a chance encounter with academic, John Casey, finally made his way across the border into Thailand then on to England. This extraordinary story is more common than many people realize. When one considers the more than half a million refugees who have fled across the Burmese borders into neighboring Thailand over the last decade it is easy to see the tremendous ramifications that the political situation has had on the people of Burma.   This paper is a meditation on the Burma of my imagination and the many permutations of country, culture and landscape that I have come to know through the people of Burma and their relationship to the lands of their birth. As a facilitator of other people’s stories I reflect on the ways in which the personal stories of lives lived inside Burma and on the borders of the country as refugees have helped me understand the situation there. The paper also explores the way narrative and advocacy, storytelling and capacity building have played a part in the democratic changes that are now taking place after more than sixty years of civil war inside Burma

Remembering Ruby

‘Remembering Ruby’ is a tribute to Doctor Ruby Langford Ginibi, a remarkable woman and an important Australian writer. Winner of numerous awards for her contribution to literature, as well as to Australian culture, Ruby was an Aboriginal Elder of the Bundjalung nation and a tireless campaigner for the rights of her people. Ruby’s writing is passionate, sincere and heart-felt, as well as extraordinarily funny and articulate. She knew that getting people to listen to her story would be fundamental to naming the hidden history of Indigenous Australia and to changing cultural perceptions in a broader context. As an elder she took on the complex and demanding role of ‘edumacation’, as she called it, and her representations of life and culture continue to provide important reflections, from an Indigenous perspective, on the effects of ignorance, racism and colonisation in an Australian context. As Aboriginal mother, aunty, teacher and scholar her writing represents a particular Australian experience for a readership of people interested in human rights and equality the world over. This monograph, in honouring Ruby Langford Ginibi, is the written expression of an ongoing dialogue between the two authors about their experiences living in Australia and the way that Ruby has interconnected with us and influenced our experiences of growing up in an Australian cultural context. It also brings into focus the many ways that Ruby Langford Ginibi’s writing has been central to challenging and changing prevailing perspectives on the lives of Indigenous people over the last twenty-five years. An excellent communicator with a wicked sense of humour, Ruby’s tireless telling of the truth about the impacts of invasion on Indigenous people makes her an important cultural ambassador for all Australians. Ruby’s totem, the Willy Wagtail, is connected to being a messenger for her people and in writing ‘Remembering Ruby’ we aim to contribute to keeping her message of hope and resilience alive and, on the anniversary of her passing, to continue to honour her inimitable and eternal spirit

Remembering Ruby

‘Remembering Ruby’ is a tribute to Doctor Ruby Langford Ginibi, a remarkable woman and an important Australian writer. Winner of numerous awards for her contribution to literature, as well as to Australian culture, Ruby was an Aboriginal Elder of the Bundjalung nation and a tireless campaigner for the rights of her people. Ruby’s writing is passionate, sincere and heart-felt, as well as extraordinarily funny and articulate. She knew that getting people to listen to her story would be fundamental to naming the hidden history of Indigenous Australia and to changing cultural perceptions in a broader context. As an elder she took on the complex and demanding role of ‘edumacation’, as she called it, and her representations of life and culture continue to provide important reflections, from an Indigenous perspective, on the effects of ignorance, racism and colonisation in an Australian context. As Aboriginal mother, aunty, teacher and scholar her writing represents a particular Australian experience for a readership of people interested in human rights and equality the world over. This monograph, in honouring Ruby Langford Ginibi, is the written expression of an ongoing dialogue between the two authors about their experiences living in Australia and the way that Ruby has interconnected with us and influenced our experiences of growing up in an Australian cultural context. It also brings into focus the many ways that Ruby Langford Ginibi’s writing has been central to challenging and changing prevailing perspectives on the lives of Indigenous people over the last twenty-five years. An excellent communicator with a wicked sense of humour, Ruby’s tireless telling of the truth about the impacts of invasion on Indigenous people makes her an important cultural ambassador for all Australians. Ruby’s totem, the Willy Wagtail, is connected to being a messenger for her people and in writing ‘Remembering Ruby’ we aim to contribute to keeping her message of hope and resilience alive and, on the anniversary of her passing, to continue to honour her inimitable and eternal spirit

What is happening is real

Australia’s history parallels the movement of modernity towards neo-colonial enterprises encapsulated in globalisation, while Australian identity lends itself to the fragmentation inherent in the conflicting discourses of national identification that make up its history. The psychology derived from this is startlingly apparent in our more recent history as we battle to come to terms with new and insidious incursions into Indigenous human rights. The bicentenary year gave Australia an opportunity to highlight the “coming of age” that emerged from being mature enough to admit that white Australia has a black history. A tension between a utopian notion held by some that the celebrations marked a time when Australia had reached a coming of age and others who were ambivalent about the nature of the celebrations has led to a reevaluation of Australian ideas of nationhood. What is Happening is Real is an exploration of the tensions that gave rise to a continuing engagement in the ongoing challenges that 1988 presented to all Australians